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From: Teresa Elaine Leslie <tleslie@emory.edu> Subject: GH: Update, FRIDAY June 12, 1998 Date: Fri, 19 Jun 1998 00:44:05 -0400 Today's episode could be subtitled "all L breaks loose," since it was heavy on the L people-- Luke, Laura, Lulu, Lucky, Liz, Lucas, Dr. London, and even a surprise L to be named later. Not EVERY scene included an L person, unfortunately. There was J&B. SIPort once referred to Jax and Brenda's scenes as "Sesame Street in the Middle of Masterpiece Theater." I think she nailed it, and so I give you today's Sesame Street episode, brought to you by the letter L. Short Version: AJ tries to plant seeds of doubt in Carly's mind about Jason, Bobbie and Laura don't see eye to eye on much of anything, Lucky and LIz are still trying to catch the rapist, and Jax brings Brenda sex and presents. Long Version: L is for "looney": AJ visits Carly in the nut house and pushes all her insecurity buttons. He's been thinking, or so he alleges, and isn't sure he would still oppose his family's efforts to take Michael from Jason, since Jason is irresponsible in taking the child out of the country on mob business. And there's the matter of Jason being back together with Robin. DOesn't that bother Carly? It should, he implies. Carly's response? To his face, she isn't buying, and repeats her steadfast "I will always trust Jason" mantra, assuring him his family will never succeed in driving a wedge between her and Jason. Once he's gone, she's clearly upset. See Carly Crack: Later, we see Carly alone in her room. She's standing in front of the mirror, talking to a doctor who isn't there. Then she begins to croon "I'm gonna see my baby, I'm gonna see my baby," in a decidely spooky fashion. Is she cracked? Or just practicing acting cracked? And why? L is for "Literature": Liz and Lucky discuss their plan to trap Mr. Murty into confessing, IF he's the rapist. They first must take their English exam, which involves pages and pages of writing and isn't over until 3:45. Then Liz pretends to be concerned about her results, and asks Murty if he'll have the tests graded that night. He claims he will, causing this updater, who has graded many a stack of essay final exams, to fall off the couch and go boom. Say what you will about the damage to the teaching profession caused by suggesting a teacher as rapist, I think we're done a greater disservice by the implication he is this cavalier about his work. They arrange to meet in the park at 9:00 that night to discuss her exam grade. Where is Lucky?: Later, in the park, Liz and Lucky wait for Murty. She repeats her mantra, "I can do this, as long as you're here." Lucky goes to hide in the bushes with a bat, in order to save her if things get ugly. But then there's a hand on his shoulder. A car alarm goes off, and then we see Mr. Murty coming toward Elizabeth. It was a policeman who grabbed Lucky, and he wants to know why the boy is lurking in the bushes. Murty, meanwhile, confronts Liz, who doesn't realize her backup is not back there. L is for "Laura Laura Laura": Laura and Bobbie have a chance encounter at the hospital, when Laura brings Lulu to see the pediatrician. Bobbie is glad to see her niece, but a real snot to Laura. Laura says she wanted Lulu to be re-acquainted with her pediatrician, "because we're home to stay," to which Bobbie snarkily responds, "Glad to see you're taking care of one of your children." Dr. London shows up, taking Lulu with him to his office, so Bobbie and Laura can finish their fight. (My pediatrician has NEVER seen one of my children without me present, so I found this contrivance odd) Bobbie lambastes Laura for the mess her family is in. "parenting is a hands-on proposition," she pontificates, telling Laura further that "I was there when you should have been." Laura points out that she was unaware of the state of her sons' lives, as "Luke didn't tell me about any of this." Bobbie gets in a good shot, as she counters that she thinks, "You love being in the dark, because it's safe there." She complains that "the rest of us all have to pick up after you." Laura wearily counters, "And I've never had to pick up after you?" She tells Bobby that she knows her sister-in-law will always think the worst of her. Then bobbie is beeped away before Laura can slap her on general principals. Laura does Mommy-talk, or Mother and Child "reunions": Laura is next seen sitting in her living room, talking on the phone, telling her troubles to a sympathetic audience, her mother. Yep, the scene opens with her talking to Lesley, and when it's Lesley's turn to speak, we see Denise Alexander talking! Hooray. "Mom, people don't even say hello any more. They just jump in and tell me what an awful person I am." "People we know?" I love Lesley's line, delivered in classic style: "Well, frankly, and with all due respect to Audrey and Bobbie, I don't think your private life with your husband is anybody's business, including, pardon me, Lucky's." Laura confides that she doesn't know how to reach Luke any more. "He's so detached." Her mom cheerleads a bit more, and Laura feels better. "I couldn't take the irony that after all these years, that one awful night would come back to haunt us." They are interrupted by someone at the door. The visitor turns out to be Nikolas, who wants to hug Lesley Lu. He has brought his sister a present. Laura assures him he can see Lulu whenever he likes, but he knows it isn't that simple. "You and I both know that's not true. I'm not welcome here." He means Luke and Lucky, not Laura. Laura says she is sorry, and he says, You made choices that had consequences." Things go from bad to worse when he tells her he's being questioned by the police about Kat's murder. She is sympathetic-- "I know that's hard for you." He lets her know he mentioned the questioning for a reson-- he's kept her name out of things so far, but that may not always be possible. He says that she knows whom the Cassadine men feel is responsible for loosening the railing. He tells her that if he tells the police all he knows (presumably about his uncle's gifts of Laurastuff to Kat, the picture, etc.), it would give Luke a motive and would cause the police to ask questions Laura won't want to answer. L is for "livid": Luke helps "arrange" a visit with Lucas for Tony. Luke is in the park with his nephew, an astute kid who wants to know what's really up. After all, Lucas points out, Uncle Luke never takes him to the park. He assumes Luke misses his own son, and that gives Luke the perfect opening to ask Lucas how he feels about not being able to see Tony. Lucas admits he misses his dad, and suddenly Tony is there beside him, saying "I miss you, too." Tony talks like a simple-minded child while Lucas focuses on the important issues, "Will you kidnap me? Why did you kidnap Micheal? Why aren't you in jail?" We learn that Tony is living in the cabin, and he lets Lucas know he won't be leaving town after all. We also get his version of the trial-- the judge listened to his side of the story and decided what he did was not such a bad thing. "And the judge is supposed to be wiser." SUPPOSED to be, indeed. IT gets ickier still as Tony tries to justify his baby-snatching. Luke monitors the situation closely, and at one point signals for Tony to back off when he starts to badmouth Jason and Bobbie. At one point, Lucas asks if Tony intends to try to take Michael again, and Tony carefully answers, "I don't intend ever to go to jail." The contrived heart-tugging moment of the day: Lucas announces to his father that he's stopped playing video games, because Tony always said it made him [Tony]crazy. "I'm sorry I made you crazy, Daddy, I don't want you to be crazy." That causes Tony to break down, to weep uncontrollably, to assure Lucas the boy is not in any way responsible for his fatehr's behavior, and to ask Lucas to give him a hug. WonderPony observes that Brad Maule is good with the emotional voices, but not good at tears. Of course, the timing could not be more perfect. As Tony clutches Lucas and cries, Bobbie appears, and announces, "Luke, you are a dead man." She joins Tony and Lucas, and tells Lucas it's time to go home. She remains calm in front of her son, sending him over to Luke, and then lays into Tony once the child is out of earshot. "I am and will be forever his father," Tony blusters. Tony promises Lucas that he'll work with Bobbie to find a way for father and son to see each other, and reminds Lucas that he loves him. Bobbie takes Lucas home, and Luke tells her, "I'll wait for you at the Club." He knows he's in for it. Can you say "busted"? At the end of the hour, Bobbie appears at Luke's office. "This time you have gone too far," she tells him. His answer-- "I figured as much." L is for "lame," and "lightweight" Jax and Brenda look pretty, giggle a lot, he gives her a present and she pretends to have a serious side. I guess that's too brief, huh? Okay, Jax appears in Brenda's hotel rooom and jumps in bed with her. They talk about the photo shoot. She's had pleasant dreams. He's back from London. He has tickets for the theater. The bellhop brings in a present for Brenda from jax, a lovely white gown. This gift-giving is nauseaing. They discuss Emily's pictures. Brenda observes that Emily reminds her of herself when she started modelling, and that "makes me think about why I started modelling. I thought I had something to prove." Now, she muses, what if I gave it all up? [ask me if I care.] Why would she give it up? "I don't feel challenged any more, and I want to feel challenged." Huh? Jax tells her he adores her whatever she does or doesn't do. She lets him know that planning to marry "a gazillionaire doesn't mean I intend to sit around doing nothing." Soon thereafter, he utters the line "yada yada yada." I kid you not. She gets mock indignant (or maybe really indignant, it was hard to tell) and says, "I'm sharing my innermost self and all you hear is 'yada yada yada'?" [Yep, Brender, him and few million viewers] Brought to you by Director Behar, Writer Shelley Moore, and Updater Terry